Performances
A rotating set of covers from Hank Williams Sr. to Nirvana, with plenty of harmony in between.
A scratch recording from the practice space — one mic on the guitar, one on both voices. Maya wrote the melody after a night she couldn't sleep; Jordan added the line about leaving the porch light on for someone who might not come home. Placeholder video until the official session lands, but the song is real and they play it at most shows.
Recorded at a house show in the University District — someone else's phone, bad lighting, the crowd quiet enough to hear the bridge. The title came from a voice memo Jordan sent at 2:14 a.m. It's become their set closer when the room feels right.
Demo on the four-track with tape hiss left in. Lyrics about checking the locked door twice — Maya's idea, Jordan's words. They almost cut the door-closing sound at the end but decided it belonged. Short song, under three minutes, usually gets a laugh and then a quiet.
Exactly what it sounds like: a voice memo Maya sent Jordan at 2 a.m., Jordan singing the harmony back on another memo, stitched together for fun. Not a finished song — more like proof they still send each other recordings instead of texting. Fans ask for it; they might never play it live.
Live from the Moonlit Night Market side stage, October 2025. First time anyone clapped for a song they'd never played in public. String lights in the background, a little wind, Maya slightly out of breath from the cold. The song's about that night, more or less.
Slowest song in the set — long intro, longer bridge, lyrics like clues to a dream you almost remember. Recorded at The Velvet Room during soundcheck; the room was empty except for the bartender wiping down tables. They use this one when they want the room to lean in.
